HHN 17, Universal Studios Florida
The entrance and wait time for Halloween Horror Nights 17’s “Jack’s Funhouse In Clown-O-Vision” house.
Photo by ThemeParkReview.com.
HHN XIV, Islands of Adventure/Universal Studios Florida
Festive pennants and a giant green skull mark the entrance to Halloween Horror Nights 14’s “Midway of the Bizarre.”
Photo by ThemeParkReview.com.
HHN 21, Universal Studios Florida
The seductive form of Lady Luck reigns from on-high in her scarezone, “Your Luck Has Run Out.”
Photo by Eric Yarborough.
Oh my god! I am so sorry!!! :(
I’ve noticed that ever since I started going back in 1996 that they would fluctuate between how much fog they would use. From what I’ve seen and experienced, they have stopped using fog machines in haunted houses and used them more in scarezones. However, it gets really bad when so many people are around you. I personally cannot stand smoke from smoking and there are times where I have gotten sick there because everybody and their grandmother are smoking.
Again, I am so sorry to hear that you fainted! That is terrible! The fumes from fog machines can be a little too much sometimes if you happen to walk or stand right by the machine when it kicks back on for another cycle.
HHN 17, Universal Studios Florida
The entrance to Halloween Horror Nights 17’s “A Nightmare on Elm Street: Dreamwalkers” house.
Photo by ThemeParkReview.com.
fuckyeahhalloweenhorrornights:
Horror Nights Icons - personal photo from Halloween Horror Nights “Sweet 16” at Universal Orlando.
Great pic from “Sweet 16”!
HHN 21, Universal Studios Florida
A beautiful scenic shot of New York, the USF lagoon and Hollywood Rip, Ride, Rockit during Halloween Horror Nights 21.
Photo by Melissa Allebach.
HHN 17, Universal Studios Florida
A behind-the-scenes video (featuring Ringmaster Jack) from Halloween Horror Nights 17: Carnival of Carnage.
Video by Universal Orlando PR.
HHN XX, Universal Studios Florida
A mysterious obelisk glows enticingly in the midst of the HHN XX scarezone, “The Coven.”
Photo by Nick Chandler.
